Monday Column: Photographic and Not so Photographic Trips

Have you ever planned a trip and, as all of us, who think about ourselves as a photographers, take with you a photographic camera of some sort? Of course you did. But on what kind of trip or voyage did you go. A family trip, business one, tourist voyage... Did you take with you almost most of your gear you own (camera, backup, several lenses, tripod, flashes, etc.) and then didn’t used more than one camera with one lens? Have you been ever found in a situation, when in company you were always last of the group and always waited, because the ordinary tourist view and snapshot didn’t meet your photographic standards?

If your answers are mostly yes on to those questions you probably have badly planned your trips. The kind of trip that includes all sceneries in one afternoon, it is not a photographic trip at all! The time is essential for the photographic trips. This means only one or maximum two different sceneries of a day. Preferably you visit first scenery in the early morning when the sun rises and other in the late evening when the sun sets. And around the noon is the siesta time for photographers. We all know why. Do we?

But when we go to a non photographic trip (and we all do them) as a responsible photographer we must properly equip. At all we all want some images from our voyages, no matter if it is business or whatever trip it is. At least I when I go to a trip that is not strictly photographic I try to equip properly, this means light. Only one camera and one lens, a rangefinder instead of a SLR, a smaller lighter, non intrusive option. But then once a year you must go on the photographic trip and take with you all gear you might need or think that you do. But this means that this trip is all dedicated to taking photographs, slow without distraction. This means no time limits, places to be seen in limited time, no people that are nervously waiting for you, no family who aspect your presence in the real world.

Last time I was asking about what photographic camera should I take with me on mountain hike. I knew that it must be light, because it would be just high pace mountain hike, not a slow (with a lot of time for taking photo) one. I finally decide to take with me Altissa Altix-n camera. Nice little “guess the distance” all manual rangefinder from former Eastern Germany. Maybe it would be better an SLR with wide angle prime, but it was very foggy and moist, and don’t know how would electronics in SLR I own would works in those conditions. So I’m pleased with my choice but I didn’t really have time or strength to really photographically enjoy this trip. But I was there, on the top, that is all it counts, at least for me.

Matjaž

Monday Column: What is an Analogue Photography?

Simply, it is not a digital one. Right? But at its core a ccd or a cmos is an analogue device, transforming photons into electrical charge and only afterwards its converted in digital file. But we all agree that this kind of photography is so called “digital photography” and not analogue (or analog in American English) photography. But large amount of analogue photographs after all is converted into digital files by scanning negatives. At least for on line presentation.  It’s a little bit complicated.

 

But leave philosophical matter about analogue vs. digital for another column in the future. Analogue photography it’s whole universe of diversity at itself. But what it is real analogue photography? Some would say that real analogue photography is when it is taken on some light sensitized material and that aperture and time this material is exposed to light is manually controlled. Other would say give me some film and any camera it would take it. Then it will take film to develop and printing to the local Quick lab. This is also an analogue photography. But what would you say about alternative processes? There it’s not already prepared film in advance, but you must prepare your own light sensitive material, you must do developing and also printing (if it’s needed) at your own. Are those processes more analogue than previous one? What do you think about? What’s your way to be analogue?

 

Matjaž

p.s.: About last column and which camera I took to the hike. I chose Altix. More about this matter in the next column.

Monday Column: The Right Tool for a Hill Walking Hike

This Friday my brother, I and our uncle will go hiking in the beautiful Slovenian Julian Alps. More accurate: We want to get to the highest mountain in Slovenia. This is Mt.  Triglav, 2,864 metres (9,396 ft) high. It’s a two day hike, first day up, sleeping in the Kredarica hut and the next day down. It’s a 2200 meters (7,218.2 ft) rise and then descent.

First mountain hut "Triglav temple" at opening 1871

source:http://www.gore-ljudje.net/novosti/52045/

Now, I’m a photographer. So I want to take a photographic camera with me on the hike. But it’s will not be an photographic excursion, As a contributor to this blog, would be inappropriate to take with me a digital camera (I admit I will be using a small P&S for snapshots... I’m guilty). So my dilemma is which camera to take with me to the hike? Why dilemma? Take your best camera you own or camera that you could give you the best performance, or the camera you prefer the most and enjoy shooting with? Hm... Probably the best camera, none the less of its simplicity, is my Russian large format camera FKD 18x24 cm or 7x9.5 in, with its wooden tripod. It would require a Sherpa to take it to the mountain top, but they are scarce in those mountains (satire alert!). Probably the second best quality would give me (loan from my friend) Kowa 66. This is a medium format 6x6 cm camera. Here is no need for help from Himalayas but it is large and heavy and bulky. Remember the rise? Much lighter and also with enough quality would be my Canon EOS 100 and some lenses. Lightweight would be with 24 2.8 and 50 1.8 lenses. But is also too much bulk, and I already explained in the last column what’s for me analogue shooting. I have only a small backpack and must take with me all necessary for two day trip and this season in mountains has already fell first snow... 

  Secovlje Saltpans shot with Agfa Isola 1

The most lightweight option would be my Agfa Isola 1 and Altix-n. First is a medium format P&S from late fifties and early sixties. It weight’s only 300 g. Problem is that the number of exposures is limited to only 12. And it has only one shutter speed (1/30 s) and only two aperture values: cloudy f11 and sunny f16, and quality of the lens is in the lomographic territory (I like it). The other option is a 35 mm fully manual “guess the distance rangefinder” with nice 50 mm f2.9 lens. But it lacks the mf look and it’s heavier.  

 Secovlje Saltpans shot with Altix-n

I must decide by myself but I want to hear your opinion. What do you think about my options and what would you bring to that kind of hiking from your arsenal?

Monday Column: Analogue Photography as Escape from Digital World - Part II

Last Monday column I wrote about analogue photography as escape from digital world.  In this column I will tell about things in analogue photography that differentiate analogue photography from modern digital world and which I love.

 

You are already familiar with all sorts of digital and electronic helps and shortcuts found in modern digital and not so modern analogue cameras. A few classical photographic electronic helps found already in cameras made in 70-ties and before. We are all familiar with metering in our cameras, P, A, T (S), and M modes. Aperture and shutter speed is controlled electronically from mid-seventies Canon AE1 camera or maybe even before that. Now days you have face recognition, smile shutter, all kinds of scene modes that help consumers, amateurs (not that I underestimate amateur photography and “casual” photographers) and people who know nothing about photography except phrase “smile” or “cheese” and then they press shutter button in one move, all way down... There are all sorts of these so called scene modes; from helpful like portrait, landscape and action, to downright bizarre ones like candlelight, sunset, food, party, or even pet scene modes. And then are so-called effects, for people who are not familiar with post production, like B&W and sepia, or effects that simulate some legacy film emulsions, or even pin-hole effect, and so on... Better I don’t write about live view and video in modern cameras. Sure I missed plenty of them.

 

Electronics, firmware and hardware are developing in very high pace. So every year we have new “useful” features. Some are turning out useful and most of them really are not. Some of this year’s “new photographic” features are: Wi Fi incorporated in camera, so you can control camera by your phone, and wirelessly transfer images, camera equipped with phone android operating system, so you could benefit with all sorts of application, useful or not, for your camera. And also you can share freshly taken photos on your favourite social network... But feature that stroke me most is that on one of new camera that was presented from giant in consumer electronics at Photokina last week. It is called Auto Portrait framing function. When it’s enabled the camera use face detection to locate your subject, crops the image based on a rule-of-thirds, and resample the picture back up to the same resolution as is the original shot. Effectively camera decides about framing instead of you!!! Where this is going I think don’t need to tell.

So whatever these are useful, helpful and needed photographic tools, I prefer a purist way of taking photographs. With all manual and mechanical way of controlling my camera. So when I’m taking pictures and they didn’t turn out in the way I wanted to, it’s only my fault. I prefer working with my light meter, manually turning knob to specific shutter value, turning the aperture ring on selected f stop, zone focusing and manually rewind the film... And then, when I press the shutter button, it’s a pure mechanical joy!

Monday Column: Analogue Photography as Escape from Digital World

What’s the reason to practice an analogue photography? It is because it’s better than digital? Or maybe it’s not better quality but better looking? Maybe it’s the reason the thrill of unknown, the so called chocolate box effect; that you never know what you will get until you develop the film? Or maybe it’s all about the feeling of operating the beautifully crafted mechanical photographic box?

We live in a frenzy world. The photographic technologies are developing too fast for my taste. They are excelling and superior at first sight. But like fast food tasteless and fatting (your mind). Photographically I’m a digital child. So I often catch myself just shooting (with my digital camera) at my photographic subject/object without thinking about it. And when I’m not satisfied with the results I just shoot more. But when I’m shooting with a vintage camera loaded with film I just switch the mind. I’m suddenly aware of my subject/object, I think about it, how to capture it without ruing my film. I’d had a success ratio about 25-30 frames of 36. How many do you think I had at same time shooting digital? Ok. I’m improving and I’m trying harder with my digital camera. So I’m improving my digital success ratio. But without analogue photography I would remain without experience that only shooting film gives you. Its calmness, some kind of therapy how to heal of digital frenzy that surrounds us every moment of our lives. And that’s just one reason why a photographer should practice an analogue photography.

 

I think that every photographer it has his own reason. Or reasons?  What’s mine? I’m not really sure. Analogue photography exists officially from 1839 when Louis-Jacques-Mandé Daguerre presented to French Academy of Sciences the first photographic process in the world. So the analogue photography has at least 170 (or more) years of history. How many photographic processes, techniques, cameras and films were developed and worth to try out in that time? I’m interested in many of processes, techniques, cameras and films and in some not so much. In contrast digital photography exists only a decade or so (at least when majority of photographic professionals migrated to digital). Maybe in the future our grandchildren will find technology of today relaxing and interesting? Who knows?