Showing posts with label portraits. Show all posts
Showing posts with label portraits. Show all posts

24.9.12

Monday Column: Analogue Photography as Escape from Digital World - Part II


Last Monday column I wrote about analogue photography as escape from digital world.  In this column I will tell about things in analogue photography that differentiate analogue photography from modern digital world and which I love.

 
You are already familiar with all sorts of digital and electronic helps and shortcuts found in modern digital and not so modern analogue cameras. A few classical photographic electronic helps found already in cameras made in 70-ties and before. We are all familiar with metering in our cameras, P, A, T (S), and M modes. Aperture and shutter speed is controlled electronically from mid-seventies Canon AE1 camera or maybe even before that. Now days you have face recognition, smile shutter, all kinds of scene modes that help consumers, amateurs (not that I underestimate amateur photography and “casual” photographers) and people who know nothing about photography except phrase “smile” or “cheese” and then they press shutter button in one move, all way down... There are all sorts of these so called scene modes; from helpful like portrait, landscape and action, to downright bizarre ones like candlelight, sunset, food, party, or even pet scene modes. And then are so-called effects, for people who are not familiar with post production, like B&W and sepia, or effects that simulate some legacy film emulsions, or even pin-hole effect, and so on... Better I don’t write about live view and video in modern cameras. Sure I missed plenty of them.
 
Electronics, firmware and hardware are developing in very high pace. So every year we have new “useful” features. Some are turning out useful and most of them really are not. Some of this year’s “new photographic” features are: Wi Fi incorporated in camera, so you can control camera by your phone, and wirelessly transfer images, camera equipped with phone android operating system, so you could benefit with all sorts of application, useful or not, for your camera. And also you can share freshly taken photos on your favourite social network... But feature that stroke me most is that on one of new camera that was presented from giant in consumer electronics at Photokina last week. It is called Auto Portrait framing function. When it’s enabled the camera use face detection to locate your subject, crops the image based on a rule-of-thirds, and resample the picture back up to the same resolution as is the original shot. Effectively camera decides about framing instead of you!!! Where this is going I think don’t need to tell.



So whatever these are useful, helpful and needed photographic tools, I prefer a purist way of taking photographs. With all manual and mechanical way of controlling my camera. So when I’m taking pictures and they didn’t turn out in the way I wanted to, it’s only my fault. I prefer working with my light meter, manually turning knob to specific shutter value, turning the aperture ring on selected f stop, zone focusing and manually rewind the film... And then, when I press the shutter button, it’s a pure mechanical joy!

12.9.12

Portfolio of the Week: Jens Taube



Dear Readers,
we still stay in the same country and this week we feature another photographer from Germany, Jens Taube. Interestingly, Jens' photographic journey has some similarities to Marc's path, the photographer we featured last week. The portfolio Jens sent us is quite compact and concise, as you can see. But nevertheless, it includes all the »substance« he aims for in his photographic endeavours. Jens is working primarily in medium format, with different Rollei cameras (SL66 and 6006), and in black and white. Besides the best technical combination in my view (6x6 and BW film), I was attracted by Jens' photos also because they have some particular kind of inherent emotional charge.
Here it is how he describes his path:
»Long before I started to photo-portray people, it fascinated me, how many different facets and how many different feelings a face can express. Or the gesture of a human hand. I took pictures I found in magazines or photo books as a drawing pattern as they gave me the chance to study frozen moments. Then in 2006 I exchange the drawing pencil for a DSLR. I wanted to create my own pictures instead of copying what others had seen and captured.
Two years later I made the step from the digital tool to classic black and white analogue photography.
Emotion is the subject that I focus on, more than on beauty and grace. Whenever I create pictures with someone, I encourage this person to listen carefully to their own insides. I show interest on which mood they encounter being at this particular place, in this particular hour. And that is the moment, when the face in front of my camera changes, when it convinces me to be honest and authentic, when it radiates another side of “beauty”. That is the moment that I long for when I portray.«
Jens described very well the very essence of his work and I think he succeeded very well in accomplishing his very own style. Bravo, maestro!
Jens' work can be found on Flickr and on his own website. Enjoy his work!
 Mitja 




All photos copyright: Jens Taube

5.9.12

Portfolio of the Week: Marc von Martial



Dear Readers,
This week we feature another German photographer from Bonn, Marc von Martial. Marc is a freelance graphic designer by profession. He, as many others, started with digital equipment (not counting the snapshots from the film era), but got »infected« soon with analog, starting with lomography, when he fell in love with the images made with a Holga. Now, he primarily shoots on film, and he also develops all the films by himself. He likes to experiment with film very much, including expired film. His main focus is on people/portrait photography, some landscape, and also some street photography. He is working on a few photographic series, developing them over time. He describes himself  mainly as a medium-format-and-polaroid kind of guy, since he mostly uses his beloved Pentacon Six TL, with the CZJ 80/2.8 and 180/2.8 lenses (the same lenses he uses also on his DSLR, by his own words better lenses than Canon L series lenses!) and the Polaroid Land 350 and SX-70 Alpha cameras. He also makes great use of various Holgas, yet he also has other cameras in his arsenal, among them a Hasselblad 500CM, various 35mm cameras, and some other plasti/toy cameras. Please, take also a look at his bio just below his photos. I think Marc makes a very good argumented description why film rules for him, even though he is tech junkie otherwise. Marc's work can be found on Flickr, Marc's blog and his webpage. Enjoy his work!
Silver regards
Mitja










 All photos copyright: Marc von Martial

29.8.12

Portfolio of the Week: Anna Gawlak


Dear Readers,
It's a pleasure to be back after a hiatus! This week we feature a young self-taught Polish photographer, Anna Gawlak, from Krakow. Her analog photographic journey is relatively short, time-wise, but nevertheless, her talent is so obvious. She works in both 35 mm and medium format using her Canons T70, T90, AE1, and a Kiev 60.
By her own words: »I really don't know why I take a pictures. I suppose that is for me like a spinning a tale: spooling a film, snapping photographs, composing them... The narrative about calmness and naturalness. Calmness is more than lack of movement - I cannot stop searching it everywhere I am. Searching the naturalness means trying to pick out what is true and simple in the world - I cannot stop doing it.
But, first and foremost, my own story is about big, big love. I love the world: light, colour, contrast, symmetry, trees, tasty food, buildings, doors, feet, ankles, eyes. I love the human being. Everywhere I am - I cannot stop searching.
And all that makes the simple pleasures of life.
I like a film because I like learning new things. And learning to be patient belongs to them. 36 photos... it is very much!:) Besides, when I have to do 36 images I must be and I want to be more sensitive.«
It's just so good to hear over and over again how people get sentimental when using film, and Anna's position is also very philosophical, I think. I think also that her photos are very much zen-like, a celebration of simplicity in the best sense. Anna's work can be found on Flickr and Thumblr.









All photos copyright: Anna Gawlak

25.7.12

Portfolio of the Week: Alessandro Bocchi



Dear Readers,
This week we feature an Italian photographer, Alessandro Bocchi from central Italy (Padua). Alessandro sent me both a very comprehensive portfolio of photos and biography. He works primarily in medium format, 6x6 and 6x7, with his Mamiyas and uses a variety of films, among them also instant (Fuji) films, mastering very well the reclaiming of the peel-apart negatives from these films. He's another guy who describes himself as an amateur or apprentice, but his work shows much more than that.Nonetheless, he has been also featured in Italian Vogue. Although he only recently dived in the wonderful darkroom world, his photographic technique is far from this. Moreover, Alessandro is yet another photographer who made a happy return to the analog world. Alessandro's work can be found on Flickr. Enjoy his work!

Silver regards
Mitja


Dragoncello (MN) - Christine in the Creepy House - Mamiya RB67 Professional SD with SEKOR K/L 127 1:3.5 L at 5.6 and 1/30. Polaroid Land Pack 100 Back loaded with Fuji Instant Color Film FP-100C.
Castello Tesino (TN) - Christine - Mamiya RB67 Professional SD and Ilford FP4 100.

Castello Tesino (TN) - Vegetation under the woods - Mamiya C330 Professional with SEKOR 80 1:2.8 Blue Dot and Kodak Portra VC 400.

Burano (VE) Italy - Christine with a Night Dress - Mamiya RB67 Professional SD with SEKOR 90 C 1:3.8 at 5.6 and about 15 seconds. Polaroid Land Pack 100 Back loaded with Fuji Instant Color Film FP-100C.

Gorino (FE) Italy - Hope and Christine - Mamiya C330 Professional with SEKOR 80 1:2.8 Blue Dot and Fuji PRO 400H

Vigonza (PD) Italy - Model Valentina - Mamiya RB67 Professional SD with SEKOR K/L 180 1:4.5 L at f 8 and 1/125. Polaroid Land Pack 100 back loaded with Fuji Instant Color Film FP-100C.

Stra (VE) Italy - Model Laura -Mamiya RB67 Professional SD and Mamiya HP701 Polaroid Land Pack Film Holder, SEKOR K/L 127 1:3.5 L @ f 8 - 1/125 s; Bleached negative of a Fuji Instant Color Film FP-100C

Padua (PD) Italy - Christine and our bunny Weizen-Mamiya RB67 Professional S and Mamiya Press Polaroid Land Pack Film Holder, SEKOR C 90 1:3.8; Polaroid 125i Silk Instant Color Film


Montegrotto Terme (PD) Italy - Dania jumping in the water from 6 meter- Mamiya C330 Professional and SEKOR 80 1:2.8 Blue Dot; Kodak T-MAX 400
Padua (PD) Italy - Net Center Tower at Night-Mamiya RB67 Professional SD and SEKOR 50 C 1:4.5 (at 3 minutes - f 8.0); FUJICHROME T64

All photos copyright: Alessandro Bocchi

18.7.12

Portfolio of the Week: Rolland A. Flinta


Dear Readers,
This week we feature another photographer from Germany, Rolland A. Flinta. Rolland is a Hungarian-born photographer and director currently based in Bonn, Germany. He has been keen about photography since the adolescence and it was about three years ago that he made a serious decision to dive deeper into it. His re-entrance into analog photography is relatively late, but nevertheless, he shows good mastering of the medium. He mostly shoots in medium format. Below the portfolio, there is Rolland's bio, describing his own points of view and photo-lifestyle.  All I can say is: it's never too late to (re)enter in the magic analog world, and Rolland's work is an exquisite example! Enjoy his work! Rolland's work can be accessed through Flickr and his website.
Silver regards
Mitja









 All photos copyright: Rolland A. Flinta

Rolland's Bio


The plan for my future is to enhance more and more in photography. What pushes me on most is: perfection. There is so much to explore and I have the strongest feeling in me that I haven't reached the end of that discovery process for a long time yet. This is what keeps me occupied in the near future. 
I was definitely inspired by Richard Avedon exceptionally, by Sally Mann and Herb Ritts. But there are several famous photographers who inspire me again and again. 
Taking pictures for me means thinking thousands of thoughts running through my mind, it means escaping the real world and diving into another. With my work, I generally try to bring out the best in my models. Very frequently, pictures turn out to be inspired spontaneously because shooting one picture means having the following one on my mind. Especially daylight is an important factor for me due to the fact that I love shooting without flashlights. Playing with light and shadow fascinates me. 
In summer 2011 I discovered my enthusiasm for analogue photographing. I learn from shooting to shooting and the analogue photos amaze me more and more. The complexity and the effort of analogue pictures is much higher on the one hand, on the other hand it is worthwhile since you have to take care of every cinch, you have to take time, and in the end you are excited by the mood and the patina of each picture. 
All this makes the photo as much as the model, who has to sit still for so long, adorable. It is a fantastic and an amazing world.
Well, I did have requests for several exhibitions but due to the lack of time I unfortunately had to decline all these offers because the locations were too far away. Up to now I was very happy to be published in various papers, magazines and on the internet. 
With reference to my work, I am dreaming of publishing a photo book with my pictures.

Rolland A. Flinta

4.7.12

Portfolio of the Week: Martina Woll


Dear Readers,
This week we feature a German photographer, Martina Woll. Martina is an autodidact photographer from Saarbrücken. She works in 35 mm (Canon EOS 3, Minolta SR-T 101, Yashica Electro 35GTN and others) and 6x6 (Mamiya C330S), as well as with Fuji Instax and Holga cameras, with available light as her primary lighting source. Her preferred films are Kodak Tri-X 400 and Agfa APX 100. She develops BW films by herself, usually with Caffenol-C. Her photographic work and interests range widely, very widely; from portraits to still life, to a variety of vehicles, vessels (aircrafts), and other subjects. She also loves the imperfections film has to offer: lightleaks, fluff, blur etc. Most of her inspiration comes from the web, since there is a great deal of talented photographers' work to be seen online, as she states. And she's right! Thus, she has no rigid or exemplar rules about. She has already been featured in a number of publications, including Playboy USA. Besides her portfolio, I personally like very much her Smoking series of photos.

Untitled 13. Copyright: Martina Woll

Untitled 18. Copyright: Martina Woll

Untitled 7. Copyright: Martina Woll

Untitled 64. Copyright: Martina Woll

Untitled 33. Copyright: Martina Woll

Untitled 6. Copyright: Martina Woll

Untitled 31. Copyright: Martina Woll

Untitled 99. Copyright: Martina Woll

Untitled 100. Copyright: Martina Woll

Kell. Copyright: Martina Woll
 
Martina's work can be seen on her website, her photostream on Flickr and Facebook. Enjoy the photos!
silver regards
Mitja