Film Matter: Kodak, what's next?

We have already became accustomed to various news from Kodak. Some time ago, they stated film manufacturing is one of the few remaining profitable sectors. Then, they said they will discontinue slide film production, but will keep the remaining film product line alive. Then the last news is they intend to sell the film business simply because they need to clear their 660M$ debts. I think Kodak behaves much like a ship without compass. How much of this misbehavior is due to Antonio Perez' leadership is another question and not the most crucial one. But it is very sad if we should witness the final decay of such a glorious brand and more importantly, their excellent line of film products! In case they sell the film line, we can only hope they sell it to a responsible owner, taking care and advantage of their glorious emulsions like TriX, Ektar, TMax and others! And the bottomline question: are you ready for the next news from Kodak?

Film Matter: The Impossible 8x10 Film is launched!

Dear Readers,

I am sure all of you have (at least) heard about the efforts made by the team of the Impossible Project. Some of you are also using their products already. These people made a terrific effort in bringing back the instant integral film, once Polaroid products went away for good. Although on a small budget and on a very short deadline, they made it happen. And they made it happen once again! Today they started selling the 8x10 film-not the old Polaroid stock, but from their own production! Yes, they have been already working on the ultra-large format 20x24 film, jointly with the 20x24 studio, but that's a niche product par excellence, given also its prohibitive price... Instead, the 8x10 film is meant to be affordable to a larger number of photographers, albeit it won't be cheap (but still cheaper than old Polaroid stock). Here is their brief description about the film.

An "official" test shot made on the new film. Photo by Jennifer Trausch, retrieved from http://www.the-impossible-project.com

I must admit, I have never been particularly interested in instant film, especially not in integral instant film, due to its drawbacks. Only lately, I quite fell in love with the peel-apart ("pack") film made by Fuji and used on an old Polaroid Land camera. But that's another story for another day. In the meantime, we can just wish the Impossible Team will make their product prices more affordable.
Mitja

Portfolio of the Week: Anna Gawlak

Dear Readers,

It's a pleasure to be back after a hiatus! This week we feature a young self-taught Polish photographer, Anna Gawlak, from Krakow. Her analog photographic journey is relatively short, time-wise, but nevertheless, her talent is so obvious. She works in both 35 mm and medium format using her Canons T70, T90, AE1, and a Kiev 60.

By her own words: »I really don't know why I take a pictures. I suppose that is for me like a spinning a tale: spooling a film, snapping photographs, composing them... The narrative about calmness and naturalness. Calmness is more than lack of movement - I cannot stop searching it everywhere I am. Searching the naturalness means trying to pick out what is true and simple in the world - I cannot stop doing it.
But, first and foremost, my own story is about big, big love. I love the world: light, colour, contrast, symmetry, trees, tasty food, buildings, doors, feet, ankles, eyes. I love the human being. Everywhere I am - I cannot stop searching.
And all that makes the simple pleasures of life.
I like a film because I like learning new things. And learning to be patient belongs to them. 36 photos... it is very much!:) Besides, when I have to do 36 images I must be and I want to be more sensitive.«

It's just so good to hear over and over again how people get sentimental when using film, and Anna's position is also very philosophical, I think. I think also that her photos are very much zen-like, a celebration of simplicity in the best sense. Anna's work can be found on Flickr and Thumblr.

All photos copyright: Anna Gawlak

An apology and an invitation

Dear Readers,

I must communicate, with greatest regret, that we'll shut down the blog for 3-4 weeks, for various reasons. The main reason is the current lack of time. But we'll return by the end of August. Some of the reasons (for shutting down) will pay off in the future contributions on the blog. 

At the same time, we openly invite you to email us your portfolio proposals. We're always happy getting these emails, and we'll try to reply you as soon as possible. Meanwhile, have a good time, make many good photos, restore some old cameras and nurture your love for analog photography!

silver regards

Mitja

 

Cottage Tip: Revitalize an old Polaroid!

Probably you recall when I was ranting about the »new age« instant photography? Well, this time I thought it would be nice to offer an alternative to this new age stuff. I know, this is nothing new, many people did it many times, but nevertheless, there are still many of you out there not (yet)  having an instant camera, like me, until quite recently. Given the available instant film choices today, getting a Polaroid Land camera is probably the best option, since pack film is regularly available, and at a moderate price-Fuji FP instant film. A nice feature of this film is also the possibility to reclaim the remaining negative, but this will be the topic for another post. The Land cameras are great eye catchers with their bellows, and some of them produce photos of respectable quality (but they cost more). Most of them not, like mine, having a simple plastic lens, but they still have (or maybe for this very reason) their own charm, and you can get them for very little.

Polaroid Land cameras-they are so sexy, aren't they. Jean Pierre, thanks for the photo.

The main issue is where to get the battery for this 4-decades-old camera? The majority of Pola Land cameras use the 3V 532 alkaline battery, which is quite difficult to find nowadays and is also quite expensive-like as much as you spent on the camera itself! In case you don't own a rare or collectible camera, don't feel too sorry to make a bit of surgery on your Pola Land wiring. Just cut off the old battery contacts and solder a plastic insert for two 1.5V AAA batteries instead. Just make sure to have these batteries connected in series (with 3V output) and having them soldered to the right polarity! That's it! It's a 10 minute job, more or less. 

A new battery holder with two AAA batteries. Note the cut original contacts.

The new battery holder fits just perfectly inside the battery compartment.

You will also need to get rid of the remaing plastic tabs-retainers (for the original battery). It is an easy job: just move them in rear-forward motion for some time, and the tabs will just fall off. Now, the new plastic battery insert will fit nicely in the battery compartment of your old Polaroid! It is worth to take a look at the Land List where types of batteries are listed for single cameras. If you own a camera which uses a 531 battery type (4.5V), then you'll have quite a bit of trouble. Probably is just easier to get a 3V camera instead.

If you're unaware of the camera conditions, it is a good measure to check (from time to time) the voltage of the batteries. These old cameras can draw some current even if the are not  in use. And when you just want to use them, the batteries are too low. So, don't waste the instant film because of empty batteries, just have a pair of fresh batteries for backup-they are cheap!

Portfolio of the Week: Alessandro Bocchi

Dear Readers,

This week we feature an Italian photographer, Alessandro Bocchi from central Italy (Padua). Alessandro sent me both a very comprehensive portfolio of photos and biography. He works primarily in medium format, 6x6 and 6x7, with his Mamiyas and uses a variety of films, among them also instant (Fuji) films, mastering very well the reclaiming of the peel-apart negatives from these films. He's another guy who describes himself as an amateur or apprentice, but his work shows much more than that.Nonetheless, he has been also featured in Italian Vogue. Although he only recently dived in the wonderful darkroom world, his photographic technique is far from this. Moreover, Alessandro is yet another photographer who made a happy return to the analog world. Alessandro's work can be found on Flickr. Enjoy his work!

Silver regards

Mitja

Dragoncello (MN) - Christine in the Creepy House - Mamiya RB67 Professional SD with SEKOR K/L 127 1:3.5 L at 5.6 and 1/30. Polaroid Land Pack 100 Back loaded with Fuji Instant Color Film FP-100C.

Castello Tesino (TN) - Christine - Mamiya RB67 Professional SD and Ilford FP4 100.

Castello Tesino (TN) - Vegetation under the woods - Mamiya C330 Professional with SEKOR 80 1:2.8 Blue Dot and Kodak Portra VC 400.

Burano (VE) Italy - Christine with a Night Dress - Mamiya RB67 Professional SD with SEKOR 90 C 1:3.8 at 5.6 and about 15 seconds. Polaroid Land Pack 100 Back loaded with Fuji Instant Color Film FP-100C.

Gorino (FE) Italy - Hope and Christine - Mamiya C330 Professional with SEKOR 80 1:2.8 Blue Dot and Fuji PRO 400H

Vigonza (PD) Italy - Model Valentina - Mamiya RB67 Professional SD with SEKOR K/L 180 1:4.5 L at f 8 and 1/125. Polaroid Land Pack 100 back loaded with Fuji Instant Color Film FP-100C.

Stra (VE) Italy - Model Laura -Mamiya RB67 Professional SD and Mamiya HP701 Polaroid Land Pack Film Holder, SEKOR K/L 127 1:3.5 L @ f 8 - 1/125 s; Bleached negative of a Fuji Instant Color Film FP-100C

Padua (PD) Italy - Christine and our bunny Weizen-Mamiya RB67 Professional S and Mamiya Press Polaroid Land Pack Film Holder, SEKOR C 90 1:3.8; Polaroid 125i Silk Instant Color Film

Montegrotto Terme (PD) Italy - Dania jumping in the water from 6 meter- Mamiya C330 Professional and SEKOR 80 1:2.8 Blue Dot; Kodak T-MAX 400

Padua (PD) Italy - Net Center Tower at Night-Mamiya RB67 Professional SD and SEKOR 50 C 1:4.5 (at 3 minutes - f 8.0); FUJICHROME T64

All photos copyright: Alessandro Bocchi

Alessandro's Bio

My name is Alessandro Bocchi and I am from Italy. I was born in 1970 in Mirandola near Modena in the center of Italy. Now I live in Padua, near Venice with my wife, 6 rabbits, 2 Guinea pigs, 2 cats and 1 dog. I work as a computer technician all days and for this reason I started to hate the latest technological equipments.

I started taking pictures during one summer at the sea in the south of Italy. I was a 14 years boy and I was with other friends in the swimming pool of the camping. There was a very beautiful girl of my same age and I started taking pictures of her (you can see the pictures I am talking about on my flickr page). I immediately discovered the pleasure of taking pictures. Portrait of person. The camera I used was my fathers camera, a wonderful Rollei 35 TE. I still have that camera and I still use it once in a while because its still really compact.

After my fathers camera I had the Fujica STX2, the Nikon F 301 and many many others like the Nikon FM2, F3, F100 and also the F4s. When I moved to the digital with a Nikon D300 I sold everything for a very cheap price. But very soon I felt that the digital photography was missing something.

One day in a little old shop I came across a Mamiya RB67. It was love at first sight. I could never take that camera out of my head. I finally got that camera and then a series of lenses from the 50 mm to the 180 mm and other accessories. I discovered again the pleasure of taking pictures. Taking pictures with a camera that doesn't have any batteries. A camera that is completely mechanical and that will not take any kind of decision by herself. The only little problem of this camera is that its a huge camera to take with you around the city. For this reason I came across to a Mamiya C330. This is my definitive camera. I really love this camera. I can have interchangeable lenses, there is no mirror that slaps and makes vibration and noise, and finally it works with the square format that is the one I like most.

Taking pictures with this two cameras gives me lot of satisfaction and lot of attentions too. Everyone is looking at me when I walk with one of this cameras hanging from my neck. Everyone wants to see, to know and to look trough the finder. But the most eye popping thing is the instant film back. I love to take pictures of people on instant film and than give than the picture. They are always very happy and usually they let me take more pictures. I also keep the instant film negative that i bleach and than put in the scanner to get back the picture that I gave to the subject. I really love that reclaimed negatives. It's really amazing to see how many details you can take out from that thing that usually I throw away.

Recently I found myself to use more and more black and white film. I like very much the Ilford HP5 and I began to use the Kodak TRI-X just from few months. I just finished a dark room course and I loved the developing and the printing so much. I am just a beginner and I describe myself an apprentice photographer.

The more I go on, the more I discover that I don't know anything and there is much much more to learn. I still make a lot of mistakes and I waste film most of the time, but when you took a nice picture and you develop it and then print it, and it will magically appear on the paper in the dark room, it is an amazing satisfaction.

Here you can see some of my pictures that I like  most.

As you can see one of my preferred subjects are portraits. I always ask my wife, my daughter and also my friends to pose for me. My wife has been a model since she was 6 months old, starting with advertising baby nappies. Now she is no longer a model, by the other side, she became a much better photographer than me. I use every occasion to take portrait pictures. Recently, there was a rabbit fair and i shot a portrait to everyone holding his own bunny.

Alessandro Bocchi