The quarterly, Vancouver-based SAD magazine decided to source their images only from analog photos, by this year. While I applaud such a decision, I must admit I didn't fully understand the explanation Kevin Kerr gave about that decision in this article. It 's somehow an alchemistic point of view, in my view (sorry for the pun). But a good point about that decision, in my opinion, is this: "I think a certain amount of satisfaction of knowing that Sad Mag is
going to be returning to film is imagining the quality of the
experience of not only the viewer, but of the photographer." Good point, Kevin! Considering the magazine is dedicated to young artists, that will be a good way to nurture the appreciation for film.
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